GORDON BEEFERMAN is a composer, pianist, and improviser based in New York City. An eclectic and omnivorous musician who straddles numerous genres, he has created and performed innovative opera, chamber and orchestra music, avant-jazz, and numerous collaborations with choreographers, writers, and video artists. An active member of the New York contemporary music scene since 1998, he has performed at venues and series including Roulette, MATA, and the Vision Festival, and his recordings have been acclaimed by magazines including The Wire, Jazz Review, and Cadence. His varied projects include bands that perform his compositions: Other Life Forms, a quartet, and Music for an Imaginary Band, a septet—“a commanding avant-jazz ensemble” (Time Out New York). “Four Parts Five,” an extended work for his new quintet, was just released on Innova Recordings in 2015 – “Packed with humour, mischief, and an urge to dance” (The Wire). Since 2003, Beeferman has composed two operas with librettist Charlotte Jackson: “The Rat Land,” praised as “complex and daringly modern” by The New York Times, and “The Enchanted Organ,” scenes of which have been performed to sold-out theater and nightclub audiences in downtown Manhattan. Notable commissions and/or performances have come from the New York City Opera orchestra, Momenta Quartet, Minnesota Orchestra, Albany Symphony, California EAR Unit, Talea Ensemble, Quartet New Generation recorder collective, and others. He has received commissions from the Fromm Foundation, the BMI Foundation, and Concert Artists Guild, three BMI Student Composer Awards, a Tanglewood fellowship, and residencies at the MacDowell Colony, Yaddo, the Copland House, and Ucross. Beeferman’s recordings are available on Innova, OutNow, Generate, Genuin, and Summit Records. He is a 2016 New York Foundation for the Arts Fellow.