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Upcoming events
VizCult Seminar Series
Wednesday February 26th - Emily Monty (University of Kansas): Printmaking and Community: Forming Hispanic identity in Early Modern Rome
Wednesday March 5th - Kevin Hatch (Binghamton University): "A Complicated Business": Corita Kent’s Intertextual Art Practice and the Catholic Left
Wednesday March 26th - Kathryn O'Rourke (Wellesley College): Architectural Archaism and The Economist Building
Wednesday April 23rd (Ferber Lecture) - Maeve Doyle (Eastern Connecticut State University): Genderqueerness in the Reliquary Statue of Sainte Foy: Transing the Art History Canon
2025 Art & Design BFA Exhibition
April 10th – April 24th, 2025
Elsie B. Rosefsky Memorial Art Gallery, FA 259
The eighteen graduating Binghamton University Art & Design BFA students will feature their works in the exhibition Convergence. The exhibition opens to the public April 10th, with an opening reception at 4:30 pm, and will remain on view until April 24th. The exhibition is free and open to the public.
Convergence is a tribute to years of growth, experimentation, and refinement. It symbolizes not just an ending, but a powerful moment of synthesis between these artists before they progress on to their next chapters. It highlights the conjunction of unique perspectives that define this graduating class. Convergence suggests both a meeting point and a moment of transformation—where individual paths merge, yet retain their distinct influence.
Binghamton University’s Bachelor of Fine Arts (BFA) is a pre-professional degree with an intensive focus in studio art and design for students who wish to pursue arts-related careers. Our students go on to work in a wide range of creative industries; as practicing artists after graduation; or go on to pursue graduate degrees. Students can choose to concentrate in Drawing, Painting, Sculpture, Photography, Printmaking, or Graphic Design.
The 2025 BFA artists are: Kimora Bedeau, Shane Conklin, Sammy Feng, Emily Gangloff, Ashley Gibs, Haley Keener, Simon Liebskind, Margo MacWilliams, Alexis Magera, Andrew Nieves, Emily O'Reilly, Lucciana Robertson, Elizabeth Serjantov, Anh Sciscent, Mayna Sengsouvanh, Amiah Shoultes, Daisy Solis, and Anna Stacey.
"First Things" conversation with
Hippocrates Cheng (Assistant Professor, Music)
Andrea Gyenge (Assistant Professor, Cinema)
Jennifer Stoever (Associate Professor, English, General Literature and Rhetoric)
Thursday 24 April
5:00 PM
Location TBA
iLuminate
Thursday, April 24, 2025
Osterhout Concert Theater | 6 p.m.
From the moment the lights fade to darkness, you are transported into another world, another dimension, where the music moves you and the visuals are unlike anything you’ve ever seen. Welcome to iLuminate, named “Best New Act in America” by America’s Got Talent in 2011. A fantastic fusion of cutting edge technology and dance, iLuminate features a cast of the country’s top dancers performing to energetic music, including top pop and rock hits from the 1970s through the 1990s, a little jazz, a little Latin, a little hip-hop, and more. The dancers are outfitted with customized LED suits synced to iLuminate’s proprietary software to create extraordinary lighting effects with each of the phenomenally choreographed dance moves.
Friday, April 25, 6pm - 7:30pm
The Jay S. & Jeanne Benet Alumni Lounge, Old O'Connor Hall
Join the Common Ground reading series to experience live readings by undergraduate & graduate student writers.
All screenings at 7:30PM in LH6 (doors open at 7PM)
Free for Cine-121 students w/ID, $4 for all others
4/25-4/27/25- Sarraounia, Med Hondo, 1986, 122min.
Director Med Hondo unflinchingly depicts the horrors ofcolonial occupation and conflict with a realistic, epic style, to adaptAbdoulaye Mamani’s Sarraounia, a historical novel about the West African Battleof Lougou. With an incisive eye toward the psychology of warfare, Hondo chartsthe brutal arrogance of French commanders Captain Paul Voulet and LieutenantJulien Chanoine, as well as the fierce determination of Sarraounia, the titularAzna queen, a revered leader who inspires her people to fight the French armywhen most of the surrounding tribes have made deals with the invaders or joinedtheir forces. Ready to meet her adversaries on the battlefield to defend hertribe and its way of life, native oral history claims she was a witch who couldhurl fire at the invaders and any crops that were blazed to ash regrewovernight with more than enough food to keep the warriors going. Rarelyscreened today, Sarraounia remains one of the greatest experiments inhistorical-surrealism to come from Africa.
4/25, 4/26, 5/2 | 8 p.m.
4/26 & 5/4 | 2 p.m.
World-renowned Costa Rican choreographer, Rogelio López, teams up with BU faculty and students to create an entirely new collaborative production. López, who has dedicated his career to movement and the investigation of it as a universal human expression, will be exploring the theme of "the person and nature" in this original dance-theater work.
4/25, 4/26, 5/2 | 8 p.m.
4/26 & 5/4 | 2 p.m.
World-renowned Costa Rican choreographer, Rogelio López, teams up with BU faculty and students to create an entirely new collaborative production. López, who has dedicated his career to movement and the investigation of it as a universal human expression, will be exploring the theme of "the person and nature" in this original dance-theater work.
4/25, 4/26, 5/2 | 8 p.m.
4/26 & 5/4 | 2 p.m.
World-renowned Costa Rican choreographer, Rogelio López, teams up with BU faculty and students to create an entirely new collaborative production. López, who has dedicated his career to movement and the investigation of it as a universal human expression, will be exploring the theme of "the person and nature" in this original dance-theater work.
All screenings at 7:30PM in LH6 (doors open at 7PM)
Free for Cine-121 students w/ID, $4 for all others
4/25-4/27/25- Sarraounia, Med Hondo, 1986, 122min.
Director Med Hondo unflinchingly depicts the horrors ofcolonial occupation and conflict with a realistic, epic style, to adaptAbdoulaye Mamani’s Sarraounia, a historical novel about the West African Battleof Lougou. With an incisive eye toward the psychology of warfare, Hondo chartsthe brutal arrogance of French commanders Captain Paul Voulet and LieutenantJulien Chanoine, as well as the fierce determination of Sarraounia, the titularAzna queen, a revered leader who inspires her people to fight the French armywhen most of the surrounding tribes have made deals with the invaders or joinedtheir forces. Ready to meet her adversaries on the battlefield to defend hertribe and its way of life, native oral history claims she was a witch who couldhurl fire at the invaders and any crops that were blazed to ash regrewovernight with more than enough food to keep the warriors going. Rarelyscreened today, Sarraounia remains one of the greatest experiments inhistorical-surrealism to come from Africa.
This event is free and open to the public; feel free to bring friends and students.
By David Ives
Directed by Lydia Korneffel
Advised by Lisa Rothe
Performances:
May 1 at 8pm
May 2 at 8pm
May 3 at 8pm
May 4 at 2pm
Location: FA 196 / Studio B
Price: FREE
By David Ives
Directed by Lydia Korneffel
Advised by Lisa Rothe
Performances:
May 1 at 8pm
May 2 at 8pm
May 3 at 8pm
May 4 at 2pm
Location: FA 196 / Studio B
Price: FREE
4/25, 4/26, 5/2 | 8 p.m.
4/26 & 5/4 | 2 p.m.
World-renowned Costa Rican choreographer, Rogelio López, teams up with BU faculty and students to create an entirely new collaborative production. López, who has dedicated his career to movement and the investigation of it as a universal human expression, will be exploring the theme of "the person and nature" in this original dance-theater work.
By David Ives
Directed by Lydia Korneffel
Advised by Lisa Rothe
Performances:
May 1 at 8pm
May 2 at 8pm
May 3 at 8pm
May 4 at 2pm
Location: FA 196 / Studio B
Price: FREE
By David Ives
Directed by Lydia Korneffel
Advised by Lisa Rothe
Performances:
May 1 at 8pm
May 2 at 8pm
May 3 at 8pm
May 4 at 2pm
Location: FA 196 / Studio B
Price: FREE
4/25, 4/26, 5/2 | 8 p.m.
4/26 & 5/4 | 2 p.m.
World-renowned Costa Rican choreographer, Rogelio López, teams up with BU faculty and students to create an entirely new collaborative production. López, who has dedicated his career to movement and the investigation of it as a universal human expression, will be exploring the theme of "the person and nature" in this original dance-theater work.
May 5-9 , 2025 | M-F 9-5 p.m.
Rosefsky Gallery (FA 259) | Free Admission
No opening reception for this exhibition apart from Festival of the Arts / Open Studio Night existing events.
Jerry Zee
Assistant Professor, Anthropology, Princeton University
"Fault Zones: Sino-American Encounters with Geophysics"
Monday 5 May
6:00 PM
Lecture Hall 9
Join us for the 2nd Festival of the Arts kickoff 7:30-9:30 p.m. on Wednesday, May 7 in the Grand Corridor and Memorial Courtyard of the Arts Building!
We will have performances and visual art from our departments, with a wide variety of live music, free food, cinema in a truck, screen-printing your own t-shirts, theatre, animations on buildings, and much more, all in and around the grand corridor.
Friday, May 9 we return for a long-form experience, with works from our departments throughout the arts building! A great opportunity to explore the work our students have been creating and enjoy time together in the Arts Building.
*Schedule subject to change!
Main Reception
Food and efreshments will be servedArt & Design Senior Exhibition Opening | Rosefsky Gallery Cinema Reels
Playing on TV with headphones providedCinema Senior Thesis Show | FA 258Design and Technical Theatre Students Showcase | FA 143 & FA 243 Film Festival in a Truck | @ Spine, between FA building and Library TowerHybrid Art Workshop & Art Co-op Workshop | BU Art Museum Lobby
Workshop supplies provided
Throw darts for free Art co-op swag (shirts, stickers, and tote bags), first-come first-serve basisJazz TrioLatin Dance PerformanceMotion Visuals on the Tower | @ Library TowerMusical TheatreOperaStudent Theatre Improv WorkshopT-shirt Screenprinting
Bring your own or use ours -> green t-shirts will be available in limited sizes and quantities
Note: All events are tentative and subject to change. Attendees are encouraged to check for updates closer to the event date. All events at the School of the Arts building (FA- Fine Arts in the map) unless otherwise noted.
Join us for the 2nd Festival of the Arts kickoff 7:30-9:30 p.m. on Wednesday, May 7 in the Grand Corridor and Memorial Courtyard of the Arts Building!
We will have performances and visual art from our departments, with a wide variety of live music, free food, cinema in a truck, screen-printing your own t-shirts, theatre, animations on buildings, and much more, all in and around the grand corridor.
Friday, May 9 we return for a long-form experience, with works from our departments throughout the arts building! A great opportunity to explore the work our students have been creating and enjoy time together in the Arts Building.
*Schedule subject to change!
Art & Design Open Studios
3-9 p.m. | Grand Corridor, 1st, 2nd, and 3rd floors of FA BuildingArt & Design Senior Exhibition
3-9 p.m. | Rosefsky Gallery Poet's Cafe: Poetry Reading and Short Film Screening
3-5 p.m. | Casadesus HallPop-ins: poems / Shakespeare monologues / haikus / contemporary monologues
3-4 p.m. | @ other events
Steel Drum Band
4-4:30 p.m. | Peace QuadCinema Student Film Show & Poetry Reading
4:30 p.m. | LH-6Word of Mouth Excerpts (Music & Creative Writing)
5:30-6:15 p.m. | Casadesus HallArt & Design Student Award Ceremony
6-6:30 p.m. | Rosefsky Gallery
Musical Theatre Voice Recital
6-8 p.m. | Studio B (FA 196)
Note: All events are tentative and subject to change. Attendees are encouraged to check for updates closer to the event date. All events at the School of the Arts building (FA- Fine Arts in the map) unless otherwise noted.
Friday, May 9, 6pm - 7:30pm
Online
This event will celebrate the new issue of BU's graduate-student-led literary magazine Harpur Palate's new issue with readings by the winners of the Harpur Palate Prize for Nonfiction and the John Garner Award for Fiction as well as the guest judge of each prize, Lily Dancyger and Marjorie Celona.
Organized by The New York Historical
February 27–June 14, 2025
T-S Noon-4 p.m. | TR Noon-7 p.m.
Main galleries | Free Admission
The Binghamton University Art Museum presents Monuments: Commemoration and Controversy, organized by The New York Historical, on view February 27 to June 14, 2025. The exhibition explores public monuments and their representations as points of debate over national identity, politics, and race. Monuments offers a historical foundation for understanding recent controversies, featuring fragments of a torn-down statue of King George III, a replica of a bulldozed monument by Harlem Renaissance sculptor Augusta Savage, and a maquette of New York City’s first public monument to a Black woman (Harriet Tubman), among other objects. The exhibition reveals how monument-making and monument-breaking have long shaped American life as public statues have been celebrated, attacked, protested, altered, and removed.
Monuments: Commemoration and Controversy is curated by Wendy Nālani E. Ikemoto, Vice President and Chief Curator at The New York Historical. The exhibition is supported by the Terra Foundation for American Art. Additional support is provided at Binghamton University by the Office of the Provost, the Division of Diversity, Equity and Inclusion, the Harpur College Dean’s Office, the Binghamton Fund for Excellence, the Kaschak Institute for Social Justice for Women and Girls, and Rebecca Moshief and Harris Tilevitz ’78.
History and Myth: Violence in Early Modern Prints
Japanese Design and the Arts and Crafts Movement in New York
February 27–June 14, 2025
T-S Noon-4 p.m. | TR Noon-7 p.m.
Lower Galleries | Free Admission
Three small exhibitions: Chiura Obata: Japanese Art in America, curated by Yao Shen He ’27; History and Myth: Violence in Early Modern Prints, curated by Leah Dascoli ’26; and Japanese Design and the Arts and Crafts Movement in New York, curated by Joseph Leach, Curator of Collections and Exhibitions.
February 27–June 14, 2025
T-S Noon-4 p.m. | TR Noon-7 p.m.
Mezzanine Gallery | Free Admission
Existential Color: Photography from the Permanent Collection, organized by John Tagg, SUNY Distinguished Professor of Art History and Luisa Casella, Photograph Conservator, Fellow of American Institute for Conservation. In 1976, John Szarkowski, Director of the Department of Photography at the Museum of Modern Art, New York, hailed the arrival of a “new generation of color photographers” who saw color as “existential,” “as though the world itself existed in color.” This “new generation” included William Eggleston, Stephen Shore and Joel Meyerowitz, whose work here prompts a wider re-examination of color in Binghamton University Art Museum’s photographs collection. Within this exhibition, which features works made between the mid 1970s and the early 2000s, a display of historical processes dating back to the mid-nineteenth century shows that color was an integral part of photographic expression from its very beginnings. What viewers are asked is whether Szarkowski’s notion of a decisive break holds up, or whether the question of color and photography has to be seen from a much longer and broader historical perspective.